Lola (1961) + The Umbrellas of Cherbourg (1964)

Jacques Demy Double

Two films from the fabulous Jacques Demy that take us on a journey from Nantes to Cherbourg, from simple black & white to vibrant colour, and from spoken dialogue to sung Musical. Both films create a magical world of beautiful people, and yet a world that is all too real beneath the surface. Demy builds his own cinematic universe inhabited by characters who cross into other films, as we experience here with his alter ego, Roland Cassard.

Roland bumps into his old childhood friend Lola, now a cabaret dancer, who awaits the return of her long-lost lover and the father of her child. Their lives are intertwined with Frankie, an American sailor, Madame Desnoyers and her daughter Cécile, as they each seek to fulfill their hearts’ desires.

In The Umbrellas of Cherbourg, Guy and Genevieve are young and in love, but must undergo a long separation when Guy is drafted into the Algerian War. Things are further complicated when Roland Cassard enters the scene… Demy utilises dazzling colours, and beautiful music (the whole film is sung) to tell this amazing story of love, disappointment, and redemption.

IN THIS POST

*Two Portraits of Longing and Love by Jacques Demy By A.A. Crayley

*Absence in Jacques Demy’s Lola and The Umbrellas of Cherbourg by Jeremy Ambrose

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Vertigo (1958)

vertigo-lilac-judy

A retired detective who suffers from acrophobia is asked to follow the wife of an old friend, in one of the greatest mystery films of all time. But beneath the conventions and appearance of the romance-mystery genre lies far more, as Hitchcock takes us on an exploration into fear, love and obsession. Using many experimental techniques, Hitchcock created a film so unique and strange that the audience of the time just didn’t know how to respond. Originally panned by the critics, Vertigo is today recognised as being not only Hitchcock’s very best, but also one of the greatest films of all time.

IN THIS POST

*Blessed Are The Merciful By A.A. Crayley

*The Vertigo of Dishonest Love by Fr. Peter Kwak

*A Tall Story About A Pushover by Rodney Mansour

*The Single Man, the Ideal Woman and the Vertigo of the Human Heart by Jeremy Ambrose

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Fantasy vs Fact: What Do Women Really Want (and Need)?

By A.A. Crayley

We’ve had an interesting discussion in our posts about differences between the characters of Holly Martins and Harry Lime in The Third Man. Holly: handsome yet comical and bumbling; kind and courageous yet outcompeted in his quest for love. Harry: seductive, malicious and the powerful winner of Anna’s heart; a master of Vienna’s chaos, able to work every situation to his favour. Harry’s contempt for the world is hidden beneath a veneer of civility; he sacrifices Anna in order to protect himself and his reputation but loses his soul in the process. In comparison, Holly speaks from his heart and sacrifices his own safety to ensure Anna’s wellbeing. He gains true life through love, even though it appears he has failed when Anna walks by him in the final scene.

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The Third Man (1949)

Third Man

Written by Graham Greene as a piece of entertainment, as opposed to one of his more “serious” theological works, and yet still full of Catholic themes that probe beneath the surface of humanity, The Third Man is one of THE great films and famous for its noir filled vision of post-war Vienna and the signature zither music that accompanies it. Steeped in an indescribable atmosphere where shadows hide truth and evil lurks behind the most charismatic of personalities, The Third Man is a marvel of storytelling and filmmaking. Holly Martins is offered a job by his old friend Harry Lime, however, when he arrives to Vienna, he finds his friend dead in a suspicious accident, leaving him to unravel the truth and discover the identity of the enigmatic “third man” at the scene of the crime.

IN THIS POST

*Harry Vs. Holly by Fr. Peter Kwak

*Vienna, Anna and Forgiveness By A.A. Crayley

*A Reflection on Holly by Benard Chedid

*Harry, Holly and The Third Man by Jeremy Ambrose

*Fantasy vs Fact: What Do Women Really Want (and Need)? By A.A. Crayley

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