Fantasy vs Fact: What Do Women Really Want (and Need)?

By A.A. Crayley

We’ve had an interesting discussion in our posts about differences between the characters of Holly Martins and Harry Lime in The Third Man. Holly: handsome yet comical and bumbling; kind and courageous yet outcompeted in his quest for love. Harry: seductive, malicious and the powerful winner of Anna’s heart; a master of Vienna’s chaos, able to work every situation to his favour. Harry’s contempt for the world is hidden beneath a veneer of civility; he sacrifices Anna in order to protect himself and his reputation but loses his soul in the process. In comparison, Holly speaks from his heart and sacrifices his own safety to ensure Anna’s wellbeing. He gains true life through love, even though it appears he has failed when Anna walks by him in the final scene.

Continue reading

The Third Man (1949)

Third Man

Written by Graham Greene as a piece of entertainment, as opposed to one of his more “serious” theological works, and yet still full of Catholic themes that probe beneath the surface of humanity, The Third Man is one of THE great films and famous for its noir filled vision of post-war Vienna and the signature zither music that accompanies it. Steeped in an indescribable atmosphere where shadows hide truth and evil lurks behind the most charismatic of personalities, The Third Man is a marvel of storytelling and filmmaking. Holly Martins is offered a job by his old friend Harry Lime, however, when he arrives to Vienna, he finds his friend dead in a suspicious accident, leaving him to unravel the truth and discover the identity of the enigmatic “third man” at the scene of the crime.

IN THIS POST

*Harry Vs. Holly by Fr. Peter Kwak

*Vienna, Anna and Forgiveness By A.A. Crayley

*A Reflection on Holly by Benard Chedid

*Harry, Holly and The Third Man by Jeremy Ambrose

*Fantasy vs Fact: What Do Women Really Want (and Need)? By A.A. Crayley

Continue reading